It took Norah Jones precisely one year to become a household name. Her debut album, “Come Away With Me,” was released in February 2002, and by the following February it had sold four million copies and she had won five Grammys.
A side project she created the
following year is less well known. As a diversion from the pressures of
following up one of the best-selling debuts of all time, Ms. Jones and
four friends formed the band the Little Willies (named after her
childhood hero, Willie Nelson) and began playing her favorite country
songs at a series of unannounced gigs at the Living Room, a tiny music
venue in New York.
“I think I had to leave home for
me to know how much country music meant to me,” said Ms. Jones, who
moved to New York in 1999 after studying jazz composition and
performance in high school and college in Texas. “I listened to Hank
Williams, Dolly Parton and Willie growing up, but I wanted to play jazz.
When I listened to Bill Evans, I transcribed the chords. When I
listened to ‘Red Headed Stranger,’ I just listened to enjoy it. But it
really seeped in more than I could have known.”
Almost six years after the
Little Willies released its self-titled 2006 debut, the band — which
features Lee Alexander on bass, Jim Campilongo and Richard Julian on
guitar and Dan Rieser on drums — is finally unveiling its sophomore set,
“For the Good Times.” The album, which will be released on Jan. 10,
includes covers of songs by Loretta Lynn, Johnny Cash and Dolly Parton.
In the final days of December,
we put Ms. Jones on the spot and asked her to create an on-the-fly
five-song playlist of her favorite Texas songwriters — artists she’s
been inspired by, performed alongside or covered with the Little
Willies.
WILLIE NELSON, “PERMANENTLY
LONELY” “He’s my No. 1,” said Ms. Jones, who has earned Grammy
nominations for three of her duets with the country legend — “Wurlitzer
Prize (I Don’t Want to Get Over You),” “Dreams Come True” and “Baby,
It’s Cold Outside.” The Little Willies’ version of Mr. Nelson’s
“Permanently Lonely” is on the upcoming album.
“Willie’s songs are deceptively
complicated,” Ms. Jones said. “He’s like a twisted jazz musician under
all that country. He writes these chords that are just beautiful — the
way they come together so simply, yet they go against normal forms that
you learn as a musician. But he makes them sound so beautiful and
simple. You don’t try to that, you just do. And that’s what’s great
about Willie: he just does.”
TOWNES VAN ZANDT, “NO PLACE TO
FALL” A song considered by many to be one of the late great Texas
songwriter’s signatures, the Little Willies included it on its 2006
debut.
“I tend to listen to Townes when
I’m feeling melancholy,” Ms. Jones said. “And this is one of Townes’s
most beautiful songs. For the Little Willies, it was one of the easiest
and most natural things we’ve recorded. That’s the best kind of
situation, when the song kind of plays itself. For that to happen, it
has to be a pretty incredible song.”
KRIS KRISTOFFERSON, “BEST OF ALL
POSSIBLE WORLDS” Mr. Kristofferson recorded “Best of All Possible
Worlds” in 1970 for his debut album “Kristofferson,” and 36 years later,
the Little Willies laid down the same track on its debut release. (The
title track of the band’s new album, “For the Good Times,” is also one
of Mr. Kristofferson’s songs.)
“Best of All Possible Worlds” is
“so much fun because it stacks up a lot of words and a lot of clever
lines; it’s so well crafted, but also so soulful,” Ms. Jones said.
“That’s the trick to songwriting — you want craft, but you also need
soul and honesty. And who’s as inherently soulful as Kris Kristofferson?
Look at ‘For the Good Times.’ It’s one of the most heartbreaking,
beautiful lyrics ever. If he only wrote those two songs, he’d be on the
list. But obviously, he’s given us so much more.”
SLY AND THE FAMILY STONE, “IF
YOU WANT ME TO STAY” “I’ve always loved the fact that Sly Stone was born
in Denton,” said Ms. Jones, who went to college in Denton at the
University of North Texas. She has yet to record a Sly Stone song.
“He’s just one of those people,”
she said. “You put on a Sly Stone record and it changes your mood. It
feels so good. I might be crazy, but I also feel like I can hear the
Texas in his singing. I feel like you can hear the country in the back
of his voice and the pronunciations, the way he splits syllables.”
CINDY WALKER, “YOU DON’T KNOW
ME” Ms. Walker, a country songwriter, had Top 10 hits in every decade
from the 1940s to the ’80s, and big-name musicians from Ray Charles and
Bing Crosby to Elvis Presley and Mr. Nelson performed her songs.
“I didn’t know much about her
until Willie did that ‘Songs of Cindy Walker’ album and I realized I
knew half of those songs. I grew up on them,” Ms. Jones said. “ ‘You
Don’t Know Me’ is so fantastic because it strikes the perfect balance of
simplicity, directness and heart.”
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